Inspirational and Open: Creative Technology Day 2014

Ayse and Miguel from Imperial College bring their robots

Ayse and Miguel from Imperial College bring their robots


The amazing range of ideas shared at Creative Technology Day was stellar. It was a day that brought together people who would never normally meet or learn from one another, and for that time, in that place, connections were made that will make our future better.

Over time, this blog will publish about the day, once the extraordinary amount of stuff shared has time to settle into new forms or shapes. Until then, enjoy some images that I hope represent well some of the day’s events – a day that I imagined and the participants collectively made real, and beautiful. Continue reading

CSM Degree Show Two: exploring digital technology

Rolls-of-paper

CSM Degree Show Two saw graduating students from the design subjects exhibit their work to thousands of visitors. Whilst many used digital technologies in the execution of their projects this article concentrates on those who explored technologies from a critical perspective.

Questions relating to the changing techno-cultural landscape, as well as those relating to privacy, identity or addiction were tackled, not to mention digital working environment exploration by MA Innovation Management.

Sarah Kante takes a look at some of the work exhibited during the Degree Show.

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Degree Show One – part 1

Capsule by Kristina Pulejkova

Capsule by Kristina Pulejkova

Degree Show One at Central Saint Martins took place in May 2014, with an array of remarkable pieces on display from the Art Programme. Sarah Kante takes a look at some work of students who questioned digital technologies and our digitally mediated lives. From the subject of time, to a sense of fragmented realities, via social media and identities and environments (physical and digital), the scope of this year’s graduating students’ experiments and perspectives raised a lot of questions. This article is the first of two blog posts. Continue reading

The Face of Code: understanding your tools

 

The Face of Code. copyright Timothy Klofski 2014

FACE of CODE, hand made digital, hand altered file code of layered typefaces. Copyright Timothy Klofski 2014

Central Saint Martins’ MA Communication Design student, Timothy Klofski, is learning how to code as part of his final year project. He is openly documenting and sharing his learning process through a blog (http://timothycodes.myblog.arts.ac.uk), and in this article gives a background to his experimentation with programming in an attempt to explore the boundaries, and barriers, of the visual mind towards code. In doing so, Timothy is developing a deep understanding of the mechanics of the digital world, and expanding his ‘digital literacy.’
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CSM MA Interim Show 2014: work in progress

Work In Progress 2014The New Year and new term kicked off with a reminder that CSM final year students are half way there, as four MA courses showed their ‘Work in Progress’ at this year’s interim show. MA Textile Futures, MA Industrial Design, MA Communication Design and MA Narrative Environments exhibited their projects at the end of CSM’s Street – to gain insights, feedback and critique from colleagues, students, staff and visitors. Here, second year MA Innovation Management student Rita Fernandez describes the work of some students who are exploring relationships with digital technologies. Continue reading

New technologies that changed our lives

Advertisement for an acoustic telephone system by the Consolidated Telephone Co., Jersey City, NJ 1886,  from "Frank Leslie's Popular Monthly Magazine" Vol. XXI, No. 1, January, 1886, New York: Frank Leslie (Publisher)   Digitised by Centpacrr on August 3, 2013

Advertisement for an acoustic telephone system by the Consolidated Telephone Co., Jersey City, NJ 1886, from “Frank Leslie’s Popular Monthly Magazine” Vol. XXI, No. 1, January, 1886, New York: Frank Leslie (Publisher)
Digitised by Centpacrr on August 3, 2013

Technology is a part of our lives, and we seem to take it for granted. But do we, really? Looking at the different stages and revolutions of technology in relation to art and design practice as well as the products and services affecting the way practitioners work, think and live, this article explores the idea of generational identity through technology. Concerned with culture and expectations, technology penetration and the things we overlook and take for granted because of the time we were born, Sarah Kante takes us on a journey from the Gutenberg press to apps. Continue reading

Communicating fashion in the digital age

FCP

Be it apps or websites, a freesheet we pick up on the Tube or an expensive glossy print magazine, we are offered unprecedented opportunities for distraction due to the over-abundance of physical and digital information competing for our attention. There can be no better place to explore this dynamic and multi-platform information landscape than through the world of fashion.

In this article Sarah Kante meets with Central Saint Martins’ BA (Hons) Fashion Communication and Promotion, and asks: How is fashion communicated creatively in the digital age? What are the present and unfolding relationships between analogue and digital? How are the FCP students approaching both media in their projects?

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CSM MA Textile Futures at the V&A Digital Design Weekend

Design is Everywhere

With the increased prevalence of digital technology in design, this year’s London Design Festival saw an entire weekend dedicated to the phenomenon at the V&A’s Digital Design Weekend. Described as a series of events that aimed at celebrating collaborations in digital art, design and science, the weekend included a full programme of installations, labs, activities, talks and screenings which very much recalled the format and atmosphere of a final degree show. Artists, designers and scientists were seen describing and sharing their work with the museum’s visitors, including CSM’s own recent MA Textile Futures graduates showing their work in the Sackler Centre. Continue reading

Insights and interpretation: CSM Degree Show 2

Hearts Melted at CSM's Degree Show 2 - Image: Ningyi Jiang

Hearts Melted at CSM’s Degree Show 2 – Image: Ningyi Jiang

The dust has settled and the 2013 Central Saint Martins Degree Shows are over. With work ranging from fashion to architecture in Show 2 the sheer amount of projects presented was enough to make any visitor experience sensory overload. To fully appreciate each space the show was best explored in stages, but when taken in as a whole overarching themes began to emerge. These themes could change depending on ones interests, but for me the focus on memory and a sense of nostalgia was strong. As technology becomes more and more pervasive in our lives, this preoccupation with understanding and preserving memory and the craft of yesteryear can be seen as the design graduates response to this growing phenomenon. While the rate at which technology evolves becomes more rapid, molding and shaping the way we interact with each other and the products and services we use, design will play a crucial role in allowing us to adapt. Continue reading

Print and digital publishing: CSM BA Graphic Design

HIRES

Central Saint Martins’ BA Graphic Design has always been a versatile course, covering different media, concepts, outcomes and disciplines by utilising a variety of print and digital media – such as illustration, typography, photography and video. In the realms of contemporary publishing, the graphic design field is facing some major questions and reconsiderations over the practice’s intention and purpose in relation to presenting digital design. As the printing press comes up against the iPad, how does Central Saint Martins prepare its students for a rapidly evolving industry, whist simultaneously staying ahead of the game? Continue reading