Disruption: art and design higher education futures

Neocraft_Humanising-the-machine-by-Frances-Norris_01Bower and Christensen came up with the term ‘disruptive technologies’ in their Harvard Business Review article, ‘Disruptive Technologies: Catching the Wave’ (1995: 43-53). Disruptive technologies can be viewed as early stage catalysts for change, and fundamentally destabilising of an existing equilibrium – be it a method, technology or product. Today, one such technology heralded as being disruptive is 3D printing*, or 3D manufacturing. In part, what is considered disruptive depends on its context and the scale or type of change; let’s remind ourselves that humanity has a long history of technologies causing radical global change (e.g. wheel, steam engine, Jacquard Loom, Gutenberg printing press, internet).  Whilst 3D manufacturing has yet to happen to any form of impactful scale, and indeed may not do so, its very concept allows us to imagine the implications of post-industrial manufacturing for the ways we might wish to develop future Art and Design higher education (HE). Central Saint Martins’ students are already creating possible scenarios, by connecting the present and the future. Continue reading

CSM MA Textile Futures at the V&A Digital Design Weekend

Design is Everywhere

With the increased prevalence of digital technology in design, this year’s London Design Festival saw an entire weekend dedicated to the phenomenon at the V&A’s Digital Design Weekend. Described as a series of events that aimed at celebrating collaborations in digital art, design and science, the weekend included a full programme of installations, labs, activities, talks and screenings which very much recalled the format and atmosphere of a final degree show. Artists, designers and scientists were seen describing and sharing their work with the museum’s visitors, including CSM’s own recent MA Textile Futures graduates showing their work in the Sackler Centre. Continue reading

Wellcome Trust Souzou Workshop: Digital-Material Relationships

Comparing artist's work to Manga characters

Comparing artist’s work to Manga characters

In order to explore aspects of contemporary digital material interplay within a museum and gallery context, the Wellcome Trust hosted and co-facilitated a workshop, with Central Saint Martins, at their headquarters in London. As a result, in front of me is a heap of orange fluorescent sticky notes.  On each sheet is an interpretation, by postgraduate students, relating to Wellcome’s highly acclaimed Souzou exhibition. Continue reading