Digital literacy: design research at Blythe House

Blyhe House research tools studentsWalking amongst Dame Edna Everage’s boxed wigs, Diaghilev’s Ballet Russe costumes, black and white photographs of the V&A estate through the decades, iconic printed posters and one of Hussein Chalyan’s garments – as part of his final collection at Central Saint Martins – is all in a day’s work for the curatorial and Higher Education teams at Blythe House. However, for CSM’s staff and students it was an extraordinary and fascinating adventure.

As explained in an earlier post, the reason for the MA Design first year cohort to be amongst so many boxes and costumes and objects, is the experimental project being undertaken at the V&A museum’s archive. This article will provide a brief summary of how the group have been invited to foreground their research tools and processes as part of the study. Continue reading

Digital literacy: this way for tassels and pompoms!

Photograph at Blythe House, Victoria and Albert Museum 2014

Living in a perpetual upgrade culture, where technological obsolescence is the norm and our personal digital devices have become ubiquitous and mundane artefacts, has huge implications for 21st century art and design archives, and for art and design education. It is with this in mind that students and staff from Central Saint Martins today embarked upon an experimental project set at the Victoria and Albert Museum, which explores designerly relationships with mobile technologies as part of the creative research process. In doing so they are contributing to the ongoing discussion about what digital literacy means in a contemporary art and design setting. Continue reading